Free Download A Digest of New York Statutes and Reports Online Book

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ByAustin Abbott

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8

“Books are mirrors. You only see in them what you already have inside of you.” -Carlos Zafon

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Download The American digest annotated, key-number series Online Book

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ByWest Publishing Co., St. Paul

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33

“Always read something that will make you look good if you die in the middle of it.” –P.J. O’Rourke

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Get Download Chase's pocket code Book PDF

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ByGeorge Chase

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30

“Books serve to show a man that those original thoughts of his aren’t very new after all.” -Abraham Lincoln

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Get Download Police Culture in a Changing World Online Book PDF

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ByBethan Loftus

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9

“A room without books is like a body without a soul.” -Cicero

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This text offers an ethnographical investigation of contemporary police culture based on field work across a range of ranks and units in the UK's police force. Through direct observation of operational policing, the author assesses the impact of three decades of social, economic and political change on police culture.

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12

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

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Get Download The Culture of Control Online Book

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ByDavid Garland

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21

“You are today who you’ll be in five years except for the people you meet and the books you read.” –Charlie “Tremendous” Jones

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The United States and the United Kingdom have both become nations of stringent social control, from rapidly growing prison populations to ever increasing surveillance, curtailment of civil liberties, and restriction of the underclass. The Culture of control charts the evolution of this approach to law and order--politically, legally, and in terms of the average citizen's view of criminal |others| and their civil liberties.

Free Download The Formation and Transmission of Western Legal Culture Book PDF

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BySerge Dauchy,Georges Martyn,Anthony Musson,Heikki Pihlajamäki,Alain Wijffels

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27

There is no friend as loyal as a book

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This volume surveys 150 law books of fundamental importance in the history of Western legal literature and culture. The entries are organized in three sections: the first dealing with the transitional period of fifteenth-century editions of medieval authorities, the second spanning the early modern period from the sixteenth to the eighteenth century, and the third focusing on the nineteenth and twentieth centuries. The contributors are scholars from all over the world. Each ‘old book’ is analyzed by a recognized specialist in the specific field of interest. Individual entries give a short biography of the author and discuss the significance of the works in the time and setting of their publication, and in their broader influence on the development of law worldwide. Introductory essays explore the development of Western legal traditions, especially the influence of the English common law, and of Roman and canon law on legal writers, and the borrowings and interaction between them. The book goes beyond the study of institutions and traditions of individual countries to chart a broader perspective on the transmission of legal concepts across legal, political, and geographical boundaries. Examining the branches of this genealogical tree of books makes clear their pervasive influence on modern legal systems, including attempts at rationalizing custom or creating new hybrid systems by transplanting Western legal concepts into other jurisdictions.

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BySusan Scafidi

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10

“If we encounter a man of rare intellect, we should ask him what books he reads.” –Ralph Waldo Emerson

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It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.

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ByDaniel R. Mandelker,William R. Ewald,Landscape Architecture Foundation (U.S.)

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20

“Classic – a book which people praise and don’t read.” –Mark Twain

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